Friday 30 September 2011

Aileen; Life and death of a serial killer by Nick Broomfield


  • What types of footage are used in the opening? Why do you think the different types have been used-what is their function? The footage used consists of black and white photos old police footage, news bulletins and national interviews.
  • What documentary techniques can you identify in the sequence?
  • What information is given by the voiceover? What is the relationship between the voiceover and the images? The voiceover provides a direct explanation to to augment the individual images on screen.
  • What do we find out about the central subject? Very basic details of her crimes and convictions and the opinions of those involved in the trial either directly or indirectly.
  • How is the opening sequence of a documentary similar to the opening sequence of a fiction film (eg introduction of characters, situation, plot, themes, and attempt to attract and keep audience attention)?
Name of documentary: Aileen; Life and death of a serial killer by Nick Broomfield
Date of production: 2003
Film maker/producer? Nick Broomfield
Sub-Genre(s)? Crime
Context of production: Florida/Daytona beach and Michigan
Purpose or purposes? (Intentions): The intention was to produce a one sided documentary in order to evoke sympathy in the viewer’s whilst leaving it factually unbiased allowing the viewers to formulate their own opinions as to what if fact and what is fiction. Although seemingly unintentional the documentary led to a deeper discussion and exposure of deep routed corruption within the stae and county police departments.
Other relevant contexts? Political: Nick Broomfield uses the format of the documentary in order to make a political stab at the logic and ethics behind the states morally questionable Bi Laws.
Social: The documentary also leads the viewers to question Aileen’s societal upbringing and whether this may have been pathologically to blame to Aileen’s actions and eventual conclusion of her extended death row sentence.
Educational: The documentary is used to inform and educate international viewers of the basic working of American state government and its legal system.
Use of selection: In order to create the maximum amount of sympathy for Aileen, interviews of victims family members and supposedly corrupted police officers have been deliberately excluded.
Narrative sequence and editing? The opening six minutes of Aileen consists primarily of individual black and white evidence images and borrowed TV news footage and nationally broadcasted interviews regarding the views of the victim’s family’s and later moves in to more consistent footage with the exception of the closing section in which there is s brief subtitled montage.
Narration/commentary? The documentary itself is presented in a serious manner in order to remain in keeping with the context and heavily features the use of voiceover during periods of travel and both before and after interviews giving the overall effect of a rather negative tone.
Use of interviews? The filming of the interviews was down using a handheld camera creating a small amount of camera shake giving it a more natural feel this was aided by the primary use of diegetic sound with the exception of the non-diegetic music during the sequences of travel.
Noddies? Featured heavily during the documentary and were consistently used through ought the interviews.
Presence of crew? The crew is rarely visible except for the odd occasion when Nick himself is seen in the film. The participants in the interviews primarily acknowledge the interviewer (Nick).
Use of set ups?
Non-diegetic sound and use of music: The sound is primarily diegetic and the documentary only features music during periods of travel and at the conclusion of the documentary for added emotional impact.

What are your feelings towards Aileen after watching the documentary? What emotions did it stir? I feel that Aileen had been let down by society and if she had been taken into a rehabilitation facility or been acknowledged as burden of the state these killing may not have occurred in the first place and that deep routed physiological trauma as a child may have been partially to blame.
Did Nick Broomfield portray the real Aileen in his documentary? I believe Nick Broomfield came to know a and be trusted by Aileen in equal measure to any of her friends and experienced a truer than any account of her personality.
Do you believe she should have received the death penalty? Why? Whilst deemed liable for her actions I do not believe she should have received the death penalty not without a full physiatrist workup and examination which was claimed to have been given but in my opinion fifteen minutes is not nearly enough time for a thorough mental evaluation, despite the questionable moral ethics behind the use of capital punishment.

Thursday 29 September 2011



The idea was to take a United States internal affair that had been greatly expanded by media intervention and uncover as many detailed facts as possible in order to formulate a complete story. This could then be relayed to the public in the form of an interview in which we challenged those willing to participate to question the moral ethics behind the case of Troy Davis. In order to remain unbiased in a fairly inconclusive case the structure of the production would then dictate to the interviewer, to in turn question the participants voiced opinions to allow the documenters to remain unbiased.

The public by and large were both unwilling and largely uncooperative when it came to being recorded and discussing what had become a highly sensitive international affair regarding the trial of Troy Davis, indicating they were either largely unaware or held little regard for over seas cases.

Wednesday 21 September 2011

·         Planet Dinosoaur: Wednesday, 8:30pm BBC 1
·         Horizon: Is Nuclear Power Safe?: Wednesday, 9:00pm BBC 2
·         Who Do You Think You Are ?: Wednesday, 9:00pm BBC 1
·         Billy Connolly`s route 66: Thursday,9:00pm ITV 1
·         Children of 9/11: Sunday, 9:00pm C4
Inside job: http://www.youtube.com/watch?v=XBZfsb7OO_k
Exit through the Gift Shop:http://www.youtube.com/watch?v=UiGHcJ7bfnA
Gas Land:http://www.youtube.com/watch?v=dZe1AeH0Qz8
Restrepo:http://www.youtube.com/watch?v=zvUdruvbdmI
Waste Land:http://www.youtube.com/watch?v=NbbNKHKR3qU&feature=related

Tuesday 20 September 2011

 
Inside Job
·         Director is blaming bankers and government
·         Interrogative interview to get point across
·         American audience
·         Non fiction
·         Staged
·         Political
·         Intervention
·         Partially Informative and educational
Exit through the gift shop
·         Exciting, intriguing
·         Political voyeur
Gas land
·         Political story
·         One sided
·         Cross section of audiences
·         Intervention and observational
·         Informative slightly educational
Rest repo
·         Political stab at the government, persuasive
·         Very powerful, hits home
·         Narrow point of view
Waste Land
·         Token feel good Documentary
·         Interventional
·         Staged
·         Fictional in the sense it`s been created by the artist
The Lift
·         No particular angle
·         Light Hearted

Friday 16 September 2011

Documentary - A Definition for the Digital Age

Documentary - A Definition for the Digital Age

Documentary texts are supposedly those which aim to document reality, attempting veracity in their depiction of people, places and events. However, the process of mediation means that this is something of a oxymoron, it being impossible to re-present reality without constructing a narrative that may be fictional in places. Certainly, any images that are edited cannot claim to be wholly factual, they are the result of choices made by the photographer on the other end of the lens. Nonetheless, it is widely accepted that categories of media texts can be classed as non-fiction, that their aim is to reveal a version of reality that is less filtered and reconstructed than in a fiction text. Such texts are often constructed from a particular moral or political perspective, and cannot therefore claim to be objective. Other texts purport simply to record an event, although decisions made in post-production mean that actuality is edited, re-sequenced and artificially framed. The documentary maker generally establishes a thesis before starting the construction of their text, and the process of documentary-making can be simply the ratification of their idea. Perhaps, to misquote Eco, the objectivity of the text lies not in the origin but the destination?
The documentary genre has a range of purposes, from the simple selection and recording of events (a snapshot or unedited holiday video) to a polemic text that attempts to persuade the audience into a specific set of opinions (Bowling For Columbine). Audiences must identify that purpose early on and will therefore decode documentary texts differently to fictional narratives.

Documentary Modes

In his 2001 book, Introduction to Documentary (Indiana University Press), Bill Nichols defines the following six modes of documentary

The Poetic Mode'reassembling fragments of the world', a transformation of historical material into a more abstract, lyrical form, usually associated with 1920s and modernist ideas 
The Expository Mode'direct address', social issues assembled into an argumentative frame, mediated by a voice-of-God narration, associated with 1920s-1930s, and some of the rhetoric and polemic surrounding World War Two
The Observational Modeas technology advanced by the 1960s and cameras became smaller and lighter, able to document life in a less intrusive manner, there is less control required over lighting etc, leaving the social actors free to act and the documentarists free to record without interacting with each other
The Participatory Modethe encounter between film-maker and subject is recorded, as the film-maker actively engages with the situation they are documenting, asking questions of their subjects, sharing experiences with them. Heavily reliant on the honesty of witnesses
The Reflexive Modedemonstrates consciousness of the process of reading documentary, and engages actively with the issues of realism and representation, acknowledging the presence of the viewer and the modality judgements they arrive at. Corresponds to critical theory of the 1980s
The Performative Modeacknowledges the emotional and subjective aspects of documentary, and presents ideas as part of a context, having different meanings for different people, often autobiographical in nature

Source:http://www.mediaknowall.com/as_alevel/Documentary/docu_index.php

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Get Lamp: The Text Adventure Documentary


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Black Money


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Source:http://topdocumentaryfilms.com/